Reviews & Awards
Subject Mater
FRINGE FIRST AWARD 2019
★★★★ “delicious” – The Scotsman
★★★★ “Accessible and elegant but still obscure and original, Subject Mater is a triumph from start to finish. – The Wee Review
★★★★ “Oliver Dawe’s exquisitely elegant production feels like a discovery” – Edinburgh Festivals Magazine ”
Art of Gaman
“The lighting director, Simeon Miller, should stand up and take a bow…The incredible lighting in the tiny confines of Theatre503 is possibly worth a visit alone, with mesmerising soft images that flow across the stage.” - Rob Warren for Everything Theatre
“Simeon Miller’s use of projection is effective and appropriate to the imagery and metaphors that permeate the script, not only in bringing the silent movies back to life…” - Shanine Salmon for View from the Cheap Seat
“Simeon Miller’s lighting and projections are hazy and dreamlike, gently evoking the magical realism in Guha’s play” - Ava Wong Davies for The Stage
The Crystal Egg
“The stage craft here is beautiful as the Egg, although simple, is incredibly effective as it glows from the inside and creates a luminous spectacle that fills the dark stage; richly atmospheric lighting from Simeon Miller…our view into the Martian world of the Egg that is created by projection and reflected onto the back wall of the Cave’s shop and intrudes into the simple landscape paintings on the wall; turning them into an unknown world that churns fire and steel.” - Diana Graveney for Scatter of Opinion
“But it is Miller’s lighting that elevates The Crystal Egg, an understated series of background glows that hint at the presence of something otherworldly. We sit in a beautifully crafted Victorian curiosity shop but are transported past the confines of reality, as we all stare into a luminescent beauty that shines out from the egg. Miller’s design draws us in, exactly as the alien technology twists and warps the perspective of its owner and his uncle, Mr Cave (Mark Parsons). We fixate on the light that dances across the cavernous walls of The Vaults, staring harder and harder to define the multitude of colours within.” - Daniel Perks for Miro Magazine